M
Michael Clarke
Guest
The well know Vietnam war film "Apocalypse Now" was adapted from a short story, "Heart of Darkness", by Joseph Conrad.
This selection captures the ruminations of Marlow, the main character, upon being witness to the last utterance of the enigmatic and indefatigable Kurtz.
Triumphant prose.
This selection captures the ruminations of Marlow, the main character, upon being witness to the last utterance of the enigmatic and indefatigable Kurtz.
I did not go to join Kurtz there and then. I did
not. I remained to dream the nightmare out to the end, and to show
my loyalty to Kurtz once more. Destiny. My destiny! Droll thing life
is--that mysterious arrangement of merciless logic for a futile purpose.
The most you can hope from it is some knowledge of yourself--that comes
too late--a crop of unextinguishable regrets. I have wrestled with
death. It is the most unexciting contest you can imagine. It takes place
in an impalpable grayness, with nothing underfoot, with nothing around,
without spectators, without clamor, without glory, without the great
desire of victory, without the great fear of defeat, in a sickly
atmosphere of tepid skepticism, without much belief in your own right,
and still less in that of your adversary. If such is the form of
ultimate wisdom, then life is a greater riddle than some of us think
it to be. I was within a hair's-breadth of the last opportunity for
pronouncement, and I found with humiliation that probably I would
have nothing to say. This is the reason why I affirm that Kurtz was a
remarkable man. He had something to say. He said it. Since I had peeped
over the edge myself, I understand better the meaning of his stare, that
could not see the flame of the candle, but was wide enough to embrace
the whole universe, piercing enough to penetrate all the hearts that
beat in the darkness. He had summed up--he had judged. 'The horror!' He
was a remarkable man. After all, this was the expression of some sort
of belief; it had candor, it had conviction, it had a vibrating note
of revolt in its whisper, it had the appalling face of a glimpsed
truth--the strange commingling of desire and hate. And it is not my own
extremity I remember best--a vision of grayness without form filled
with physical pain, and a careless contempt for the evanescence of all
things--even of this pain itself. No! It is his extremity that I seem to
have lived through. True, he had made that last stride, he had stepped
over the edge, while I had been permitted to draw back my hesitating
foot. And perhaps in this is the whole difference; perhaps all the
wisdom, and all truth, and all sincerity, are just compressed into that
inappreciable moment of time in which we step over the threshold of the
invisible. Perhaps! I like to think my summing-up would not have been
a word of careless contempt. Better his cry--much better. It was
an affirmation, a moral victory paid for by innumerable defeats, by
abominable terrors, by abominable satisfactions. But it was a victory!
That is why I have remained loyal to Kurtz to the last, and even beyond,
when a long time after I heard once more, not his own voice, but
the echo of his magnificent eloquence thrown to me from a soul as
translucently pure as a cliff of crystal.
Triumphant prose.